My Grandpa Is an Alien, Summerhouse and Lada Kamenski – Progress made in Croatian feature films
Last year saw great change in Croatian cinema, particularly with respect to the innovative application of technology and minimalist directorial više →
Lada Kamenski – test update
Money is one of the greatest ironies of art, cinema as exceptionally expensive form in particular. If we consider Picasso’s više →
F20 – A journey into madness
Writing about genre is not simple. The term is neither easy to define, nor is it unambiguous. So in Croatian više →
General – Is there such a thing as a state-building national narrative in cinema?
Ever since it premiered at last year’s Pula Film Festival, Antun Vrdoljak’s General continues to raise many questions; the first više →
Never-ending pictures – The passing of Andrija Pivčević and the resurrection of Martinac’s House on the Sand
In a curious twist of fate, a great Croatian cinematographer, Andrija Pivčević (Gata near Omiš, 1945 – Split, 2019), passed više →
Last Days of Summer, Summerhouse and Extracurricular – three professional levels
The year 2019 was a very special year for me and not just in the practical filmmaker’s sense. After about više →
The Last Serb in Croatia – a witty and complex rethinking of the national
A zombie comedy with a science-fiction twist set in an intricate social context, titled The Last Serb in Croatia (Posljednji više →
The Diary of Diana B. – a remarkable picture
When new creative practices arise in using film language, genres, technical and technological possibilities in a moving picture, and consequently više →